program artists catalogues edition press contact |   intro   overview  deutsche Version
  [Claire Fontaine]

Artist group founded 2004 in Paris

Solo exhibitions (selection)
2012 “Généralités, Equivalences”, Galerie Chantal Crousel, Paris
“M – A – C – C – H – I – N – A – Z – I – O – N – I”, MUSEION, Bolzano
“Claire Fontaine”, T293, Rome
“Ma l'amor mio non muore”, Museo Hendrik Christian Andersen, Rome
2011 “Arando en el mar/Ploughing the sea”, Gaga Galería de Arte Contemporáneo, Mexico Petra
“No Family Life”, Air de Paris
“Fighting Gravity”, Regina Gallery, London and Moscow
“Working Together”, Metro Pictures, New York
“P.I.G.S.”, MUSAC Contemporary Art Museu, Castilla y León
2010 “Please God Make Tomorrow Better”, Independent, New York
“Future Tense”, El Museo Tamayo Arte Contemporáneo, Mexico D.F.
“Closed for Prayers”, Dvir Gallery, Hangar 2, Jaffa Port
“Kultur ist ein Palast der aus Hundescheiße gebaut ist.“, MD72, Berlin
“Unbuilding”, Caterina Tognon Arte Contemporanea, Venice
“Economies”, MOCA, Miami
“Etrangers Partout (QDM)”, Nuit Blanche, Belleville, Paris
“Consumption”, Helena Papadopoulos Gallery, Athens
2009 “After Marx April, After Mao June”, Aspen Art Museum, Aspen
“Inhibitions”, Reena Spaulings Fine Art, New York
“Defend Yourself”, Art Perform, Art Basel (curated by Jens Hoffman)
“Recessions”, Gabriele Senn Galerie, Vienna
“Claire Fontaine, The Exhibition Formerly Known as Passengers”, CCA Wattis
Institute for Contemporary Arts, San Francisco
“Changement de Propriétaire”, Sorry, We’re Closed, Brussels
“Tamed, ‘Perché Napoli?’“, Galeria T293, Naples
“Destroy and Rejuvenate”, Regina Gallery, Moscow
“Interior Design For Bastards”, Galeria T293, Naples
2008 “Feux de détresse”, Galerie Chantal Crousel, Paris
“Lucky in the Misfortune”, Maison Descartes, Amsterdam
“Arbeit Macht Kapital”, Kubus/Lenbachhaus, Munich
“Change”, Galerie Neu, Berlin
“Counterpoison”, Komplot/Le Garage, Brussels
“Asleep”, DVIR Gallery, Tel Aviv
Witte de With, Center for Contemporary Art, Rotterdam
“Instructions for the sharing of private property”, project space, The Kitchen, New York
2007 “Equivaleces”, Le Centre d’Art Villa Arson, Nice
“The 00’s, The history of a decade that has not yet been named”, Biennale d’art Contemporain de Lyon, Institut d’Art Contemporaine, Villeurbanne (curated by Stéphanie Moisdan and Hans-Ulrich Obrist)
“Utlendinger Overalt”, The White Tube, Oslo
“Get Lost”, Module, Palais de Tokyo, Paris
“How to?”, Kunsthalle Zurich
“Footnotes on the state of exception”, Reena Spaulings Fine Art, New York

Group exhibitions (selection)
2012 “Relocated“, MD72, Berlin
2011 “…from erewhon to here knows when…“, Kunstverein Schattendorf (curated by Christian Egger)
“How to Disappear”, Luminary Center for the Arts, St. Louis
“Volume Collection”, Museum of Modern and Contemporary Art, Rijeka
“Where Do We Migrate To?”, Center for Art, Design and Visual Culture, Baltimore
“Wishing and Praying”, CRG Gallery, New York
“PhotoMonth”, Bunker Stuzki Contemporary Art Museum, Krakow
“Seeing the Capital”, Perla Mode, Zurich
“Network”, Mastermind, Casablanca
“Relationship Building”, Kunstlerhaus Wien, Vienna
“The Pavement and the Beach”, Paradise Row, London
“Terrible Beauty - Art, Crisis, Change & The Office of Non-Compliance”, Dublin Contemporary
12th Istanbul Biennal
“Re-writing Worlds (Art and Agency)”, Fourth Moscow Biennale, Moscow
2010 “PRE-SPECIFICS: ACCESS X”, Onomatopee (Dutch Design Week), Eindhoven
“...”, Galerie Neu, Berlin
“Fax”, Torrance Art Museum, California
“La Suite (Reset)”, Air de Paris, Paris
“Res Publica“, Moscow Museum of Modern Art, MMOMA, Moscow
“Pre-Specifics, Onomatopee“, Eindhoven
“La Fin du Monde tel que nous le connaissons”, La Kunsthalle Mulhouse
“Exhibition, Exhibition“, Castello di Rivoli Museum of Contemporary Art, Rivoli, Turin
“Xposeptember 2010”, Iaspis and Index, Stockholm
“Exhibitions with Pierre Bismuth”, Nuit Blanche, Centre Pompidou, Metz
“Concrete Garden”, Nuit Blanche, Metz
“The Right to Protest”, Museum on the Seam, Jerusalem
“Territoire et au Nomadisme”, Hangar à bananes, Ile de Nantes
“Nevermore, Souvenir, souvenir, que me veux-tu?”, MAC/VAL, Vitry-sur-Seine
“Hyper Real”, MUMOK, Museum Moderner Kunst Stiftung Ludwig, Vienna
“To the Arts, Citizens!”, Serravles, Porto
“Uncertain Spectator”, Experimental Media and Performing Arts Center (EMPAC), Troy, New York
2009 “Audio, Video, Disco”, Kunsthalle Zurich
“Living Together”, Centro Cultural Montehermoso Kulturunea, Vitoria-Gasteiz, Pays Basque
“Blind chance and possible futures”, Nieuwe Vide, Haarlem
“No More Reality”, The Depo, Istanbul
“The Real Thing”, MU Eindhoven
“Fragile Currency”, Klemm’s Gallery, Berlin

REALNESS RESPECT. 

1 2


« »


 

Claire Fontaine, Situations, 2011. Videostill, Single channel video, color, sound 35 min. dimensions variable, Edition of 6 (MP# V). Courtesy Metro Pictures, New York

1