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  [Michael Kargl – aka carlos katastrofsky]

*1975 Tyrol, lives in Vienna

1998 – 2004 study at the University Mozarteum Salzburg (sculpture)

Awards / scholarships / A.I.R.
2006 scholarship for electrolobby 06, Ars Electronica, Linz
2004 artist-in-residency, Budapest Galerija, Budapest
2001 scholarship Internationale Summer Academy of Fine Arts Salzburg

Solo shows
2009 "interference", netfilmmakers, Copenhagen
2008 "interference", Spanien19c, Aarhus; mikrogalleriet, Copenhagen
2007 "stimulus/response", Projektraum Sonnensegel, Vienna
"last wishes", LX2.0, Lisboa 20 Arte Contemporânea, Lisbon

Group shows
2010 "Übersetzen ist eine Form. |
Translation is a mode.", Kunstraum Niederösterreich, Vienna
"Quasi dasselbe...? Diskurse mit poetischer Funktion", Kunstpavillion der Tiroler Künstlerschaft, Innsbruck
"On gaps and silent documents", STUK arts center, Leuven
2009 "Interzone/Economy", Galerija Galzenica, Velika Gorica
"Im Prinzip, zeitbasiert", Fluc, Vienna
2008 "YOU OWN ME NOW UNTIL YOU FORGET ABOUT ME", Galerija Miklova Hisa, Ribnica; Mala Galerija, Ljubljana
"white club space#3", white club, Salzburg
"ALT_CPH", Fabrikken for Kunst og Design, Copenhagen
"Utopia", Paraflows 08, MAK-Gegenwartskunstdepot, Vienna
"ongoing FW: Re: Re: ", a selection from Rhizome’s ArtBase, Rhizome.org
"After the net", Observatori 2008, Museum of Fine Arts Valencia
"Bild-Macht-Wissen", Galerie 5020, Salzburg
"Souped-up Pontiac", Museum of New Art, Pontiac
"Art for sale", Vooruit arts centre, Ghent
2007 Ankäufe des Landes Salzburg, Galerie im Traklhaus, Salzburg
2006 "artechmedia06 encounters", iMuseo Nacional Centro de Arte Reina Sofia, Madrid; Museu d’Art Modern i Contemporani de Palma Palma de Mallorca; CCCB – aCentro de Cultura Contempornea de Barcelona
"Signals from/about Central-Europe II", Central European Cultural Institute, Budapest

OHNE TITEL. Der/die AutorIn tituliert Texte durch eine versuchsweise Kunst.

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Michael Kargl – aka carlos katastrofsky, a misunderstanding, 2009. Wall text, documentation of an e-mail conversation.

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